‘Full’ is the no-holds barred multi-sampled monster. Garritan then offers all of these perspectives in three alternative versions, varying in the number of samples they use, and hence the demand on your computer resources. In fact I found some contribution from the close mics was always necessary, to provide focus and prevent the high treble sounding too distant. In headphones I did not, incidentally, experience any spine-tingling ultra-realistic binaural magic from the dummy head channel heard alone. Again, it doesn’t change the piano’s essential character, but my first impressions were that this was the cleanest and most neutral perspective.
Player: The goal here was to recreate the experience of sitting at the piano keyboard, and to that end the close channel has Neumann KM84s over the hammers, and the ambient a Neumann KU100 dummy head over the player’s head. It’s not a world away from Classic, though, just another flavour. Subjectively the player may feel there’s more to immediately ‘dig into’ here. Modartt pianoteq 5 crack reddit code#
As to whether ‘contemporary’ is a code word for ‘pop/rock’, well, possibly. It combines an interesting AKG C12 & D19 close pickup with Schoeps MK2H room mics.
Contemporary: A slightly fuller, more focused and ballsy sound. There’s clarity, weight and immediacy across a wide dynamic range. You’d hope that mics of that value would produce a great sound, and thankfully they do, with what is quite frankly a stunning piano capture. Classic: The close channel here is a mix of Neumann M49 and KM184 pairs, while the ambient sound is a blend of DPA 4006 omni mics placed at each end of the piano and a pair of Neumann TLM50s. Here are those perspectives, along with some notes on their derivations and characters: The relative levels and stereo width of those feeds can then be controlled using the virtual mixer channels that appear on every page of the user interface. Each setup, termed a ‘perspective’, essentially combines two stereo feeds from a close and a more distant ambient mic array. Garritan sampled their CFX with three multi-mic setups, and those form the basis of the sound variations on offer. And yet it’s also being chosen by jazz musicians, at prestigious festivals and venues including Ronnie Scott’s in London. There’s one in the Sydney Opera House, no less. It’s hand built, the nine-foot model costs upwards of £100,000 $100,000, and plenty of classical virtuosi have been ready to endorse it. However, that perception is way too simplistic, and the CFX is an entirely different proposition. Certainly the fact that their uprights (not to mention motorbikes!) are everywhere does nothing to position Yamaha as a luxury, premium marque. Yamahas are too often thought of primarily as pop pianos, with a strident and slightly thuggish tone. Steinways are totally different propositions to Bechsteins, as are Bosendorfers to Faziolis, and the cultural and historical baggage that go along with these great names feed our preconceptions about the musical roles for which they’re best suited. It all looks good on paper, but can CFX Concert Grand really deliver as a musical instrument? Eternal Sourceįor an instrument that is supposedly fairly standardised, it’s remarkable how much real pianos vary from one to another. Oh, and CFX Concert Grand is big! A mere 16GB installer package spawns a whopping 132GB of samples after decompression, offering every note of the piano sampled full-length at many dynamic levels. Close and ambient feeds can be mixed together and EQ’d in various combinations, with a convolution reverb on hand for even more options. Thirdly, there’s flexibility in the form of multiple audio ‘perspectives’, derived from some tasty mic arrays. Secondly, there’s an endorsement: Abbey Road Studio One was used for the sessions. With almost identical appearance when running as a plug-in or stand-alone app, CFX Concert Grand’s interface is based around five main pages, with the keyboard, pitch parameters and mixer common to all of them.Firstly, they’ve gone for originality: the single piano that’s been sampled, a nine-foot Yamaha CFX grand, has rarely (if ever) been sampled before. So with CFX Concert Grand (which I’m going to henceforth call ‘CFX’) Garritan have taken a multi-pronged approach. It’s tough for virtual pianos to stand out in what is a very crowded marketplace, especially when mature products like Synthogy’s Ivory have become almost industry standards. There had previously been the Authorized Steinway Virtual Concert Grand Piano, but that’s now discontinued, and what’s on test here is an entirely new product. Garritan’s latest library raises the bar for virtual piano instruments.ĬFX Concert Grand is the first dedicated piano instrument that Garritan have released since being bought by MakeMusic Inc, the developers of the notation app Finale, at the end of 2011.
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